Kazakhstan. Laura and Daur live in an isolated village high in the mountains. Today, Laura will be travelling to the city to give birth.
Clara gives birth to her first child. In the chaos of postpartum, she tries to get her life back on track.
“Bicycle Face” is a film essay that reflects on the relationship between women and bicycles from a contemporary perspective. Fragments of films, archival images, texts, fictional scenes, and bicycle sounds form this tribute to women’s freedom.
A woman walks home alone at night. The film transforms what should be an ordinary moment into a tense, intimate portrait of the invisible rules, paranoia and instincts women carry with them in public spaces.
A short musical, using a novel technique of animated azulejos (painted tiles), that features a rebellious Mary joining her voice to celebrated women of history in the struggle for equality.
Ana drives endlessly between obligations, crossing a city she never quite reaches. Her car becomes a moving refuge, a private space where reality appears fragmented in still images. In this suspended journey, the unseen surfaces: a quiet desire to break free from routine.
