Marta moves into her great-aunt Facunda's house in La Solana, a town in Ciudad Real, along with a filming crew, determined to record her day to day. However, Facunda has a mission: the film's unremitting boycott.
She holds a degree in Audiovisual Communication from the Autonomous University of Barcelona. She works as both a
director and cinematographer in film (Toda una vida, 2022; Facunda, 2020; You are not a real woman, 2026) and
television (Otra ronda, 2023; Una tarda amb, 2025; Dones en lluita, 2024–2025–2026). She has also directed several
dance films, including Ezlekua (2020) and Noir (2020), both of which have been recognized at renowned international
festivals. Over the years, she has collaborated closely with choreographers, dancers, and leading figures in the
flamenco world, including Juan Carlos Lérida, Marco Flores, Ana Morales, José Maldonado, and José Manuel Álvarez,
among others.
Toda una vida (A Lifetime) (Distinto Films, DossolesMedia and Proyecta Films), her first feature-length documentary,
premiered at the Cartagena International Film Festival and the D’A Film Festival. Following its theatrical release, it won
the Docs València Award, the Best Film Award at the Som Cinema Catalan Audiovisual Festival, and the Best First
Documentary Feature Award at the Golden Kapok Awards (China).
Her documentary short film Facunda (Allegra Films) premiered at the International Documentary Film Festival
Amsterdam (IDFA), was nominated for the 14th Gaudí Awards of the Catalan Film Academy, and received a Special
Mention from the Pepón Coromina Award in 2022.
You are not a real woman (CCCB and Dones Visuals), co-written and co-directed with Kha Villanueva, premiered at the
2026 D’A Film Festival and has begun its distribution journey with Agencia Freak.
Dancefloor (Distinto Films), co-written with Luz Ruciello and selected for the 2nd Screenwriting Residency of the
Catalan Film Academy, will mark her fiction feature debut.
