Moving images shot from the ground against moving images shot from the sky. The words of women, men and children against official speeches. People who don't want to move, "just like the pine tree by the riverbank". A valley turned into a reservoir. Class struggle lies underground... and underwater.
Miriam Martín has dedicated her entire adult life and part of the previous one to cinema. First as a spectator, then as a programmer in several institutions: Museo Reina Sofía, MUSAC, CA2M, La Casa Encendida or Punto de Vista film festival. For almost six years she organised the Chantal film club, a weekly aesthetic and political experiment. In 2019, she made a film and called it 'La espada me la ha regalado'. She also sings, translates and writes, and even curated an exhibition on 15M movement and the Paris Commune, 'Con h minúscula'.
