It is a post-truth essay in which live action and animation shape a new cinematic aesthetic. The film follows a young couple who believe to be living a perilous and heroic life. When the haunting of traumatic loss exposes their fantasy as fake, they immerse themselves further into their self-built world.
Metahaven’s practice spans art, filmmaking, and design to provoke new imaginaries that are equally bound to aesthetics, poetics, and politics.
"Possessed" (2017) / "The Sprwal" (2016) / "Holly Herndon: Interference" (2015) / "Holly Herndon: Home" (2014) / "City Rising" (2014) / "Black Transparency" (2013)
