In this original and humorous film, three Spanish directors tell three stories: about a woman who gets excited by inanimate objects (such as a parking meter, kitchen steps or a metal bridge); a man who follows his father in order to unravel his secret; and a couple of friends who suddenly, as if felled by a virus, display improper behaviour without wanting to. Three interlocking stories about love, faith and human will.
Juan was born in Madrid in 1967. Graduated in Political Sciences and with press training, he's scriptwriter, director and playwright. He wrote the scripts of the feature films 'Guerreros' (Daniel Calparsoro) and 'Los lobos de Washington' (Mariano Barroso), and he directed his own script, 'Gente de mala calidad' (2008). In 2010, he wrote, directed and auto-financed 'Dispongo de barcos'. In the same auto-production cinema line, he directed and sold on Internet 'El señor' (2012). En 2012, he wrote and directed in theatre the comedy 'El traje'. In 2013, he released the play 'Capitalismo' by Andrés Lima, as well as 'Gente en sitios' in Toronto, San Sebastián and Sitges film festivals.
"Un efecto óptico" (2020) / "Vergüenza" (2017) / "Esa sensación" (2016) / "Microondas" (2015) / "En babia" (2015) / "Show Cooking" (2015) / "Gente en sitios" (2013) / "Dispongo de barcos" (2010) / "El asombroso mundo de Borjamari y Pocholo" (2004)
He studied philosophy in France and on his return to Spain he founded, together with the filmmaker Lorena Iglesias and the musician Aaron Rux, the audiovisual comedy collective Canódromo Abandonado, with which they made the film La tumba de Bruce Lee. He is also co-director of films such as Esa sensación, together with Juan Cavestany and Pablo Hernando. He has made several short films and video essays on his own.
Inmotep (2022), Esa sensación (co-director, 2016), Ayudar al ojo humano (co-director, 2017), La tumba de Bruce Lee (2013)
Pablo (Vitoria, 1986) is graduated in Media studies in the UPV/EHU. He has written and directed various short films, combining comedy, SF and cosmic horror elements, two of which are 'Agustín del futuro' and 'Magia'. In 2012 he screened his first feature 'Cabás'. Currently he is combining works in advertisement and cinema with his own feature projects.
"Metro" (2010) / "Registro de Walter Corman" (2010) / "Menestra Pimpollo" (2010) / "Efecto Kuleshov: Segundo Experimento" (2010) / "Azules" (2009) / "Hoy se sale" (2009) / "El miedo y la risa: un discurso publicitario" (2009) / "Tiempo, etc." (2008) / "Soy de trapo" (2007)
